Author: MacEwan

The Dead Mule School of Southern Literature
Essays

Niles Riddick “Dog War”

Southern Legitimacy Statement: I've lived in the South my whole life. I haven't wanted to. I've wanted to live in more exotic places like Paris or London or even in the United States, places like San Francisco or New York. But I don't want to move. I just fantasize about it. I grew up in Georgia, lived in Tennessee for 15 years, and then moved back to Georgia.
The Dead Mule School of Southern Literature
Poetry

Paul Smith: Bye & Bye

I hereby certify I am a Yankee. Put down your guns. Having visited your website, I've come to the conclusion that once you figure out i'm not related to William Faulkner, you may still read what I have wrote written. By way of introduction, this is a preamble, a necessary and unfortunate assembly of words before The 'Southern Legitimacy Statement,' which is forthcoming. 'Southern Legitimacy Statement' by Paul Smith Part 1 of the First Part 'I deplore the degradation of Gatlinburg, Tennessee into the tourist nightmare it has become because I remember when it was young and somewhat pure, and although I don't remember the actual event itself, I may have been conceived there, since mom and dad liked it and came there a lot (please don't snicker at any unintended double-meanings. Part 2 of the First Part ' I know why there are so many Ogles in Gatlinburg. They are not descendants of James Oglethorpe. They are descendants of King Og, who was some kind of King in England. I realize Wikipedia says something else, but this was told to me by one of the Ogles, possibly Kates, who let me ride his horse. Part 3 of the First Fart - 'I have been to Dollyville in Pigeon Forge and have eaten pancakes in one of the 26 'All You Can Eat' pancake houses between Gatlinburg & Pigeon Forge.'
The Dead Mule School of Southern Literature
BlogEssaysInterviews / Books / Music

Valerie MacEwan: Matthew Rose and “The Letters”

Recasting the throw-aways and detritus, the overheard and misspelled, the artist has fashioned a large expository drama that serves as fragmented window into our collective Zeitgeist. Sex, love, death, politics, aesthetics and the muddled semiotics of our age all find a place in this body of work and beckon the viewer to read, decipher and unravel. The pieces in The Letters resonate with an enigmatic poetic presence. The result is a significant body of work by an important American artist...
The Dead Mule School of Southern Literature
Fiction

John Riley: How It Went Bad With Horsepen

Southern Legitimacy Statement: When my son was just a little guy, four or five, and studying the violin he loved to take a break from classical music and go with his pap-paw to an old barn down in Pittsboro that had been converted into a little music hall. When it was their turn the two of them would climb onto the stage and the women in the audience would say, “My, my” and “Look how cute he is.” My boy would be wearing his little white cowboy hat and jeans and boots and when his pap-paw gave him the signal he'd dip his head and start going to town on “Foggy Mountain Breakdown” or “Old Joe Clark” or “The Orange Blossom Special,” maybe even a Bob Wills song or two, while the house band accompanied them on dobro and rhythm guitar and bango. My son's parents would be in the audience beaming like bug lights as their boy and his pap-paw fiddled away. I'm sure this happens in other parts of the country, but I'm not sure there is anyplace else where playing the old-time music weaves warmly through generation to generation the way it does here in North Carolina, where the music was born and the best little fiddlers in the world are bred.
The Dead Mule School of Southern Literature
Fiction

Sylvia Dodgen: Encounter

Southern Legitimacy Statement: I was born and bred in the Alabama Wiregrass, where fireflies light summer nights and whippoorwills cry, as souls depart. My daddy never set his hat on the bed, fearing bad luck and didn’t believe in starting any project on a Friday. He believed in planting by the moon and swore long-dead cows could be ghosts too. Unmarried I said I wanted a baby and thought of artificial insemination, he said, “The little bastard will just be welcome.” He was a wise man.
The Dead Mule School of Southern Literature
Poetry

Erin Cochran: Ferris Wheel’s End

Southern Legitimacy Statement: It's been said that my daddy's family is so southern that no one in it from the time brothers Chance, Gardner, and Claude set foot in the Carolinas in 1642 had ever lived north of the Mason-Dixon line until my first cousin moved to Michigan in 1997. That was a travesty in our family worthy of comment from our Uncle Claude, the man who could engage in an hour long conversation without uttering more than five words. He was almost as concerned with her move as he was in finding mamaw's peach cobbler recipe after she passed away that should have been among the good nighties stored away unopened for that inevitable trip to the hospital. I guess that makes us southern but if not, there's an entire county in Alabama that our children have been warned about finding a mate in, as we are related to the entire county in some form. That's probably an exaggeration but there were 1600 people at the last family reunion we attended all descended from one couple and most people came from less than an hour away. The table of "greens" was actually nine tables long and I'm pretty sure my dad ate some from each and every pot.
Essays

A. J. Tierney: Stuck Like This Forever

Southern Legitimacy Statement: An “Okie from Muskogee” I am one of very few women who have been crowned both Miss Azalea Festival and Miss Indian Summer. I was convinced for years that Colonel Sanders was my grandfather since my grandmother worked so many hours at Kentucky Fried Chicken. I tagged along curling up under her desk with my Snoopy dog that she bought me with S&H Green Stamp books. I’m still stunned there are people in the world who don’t know about paper shell pecans. You haven’t truly lived until you you’ve watched your grandma fry potatoes, okra, pork chops, and chicken in a cast iron skillet in bacon fat that’s been out on the counter all day.
The Dead Mule School of Southern Literature
Poetry

Art Heifetz: Three Poems

Southern Legitimacy Statement: Came to Richmond in 1977 as a damned Yankee, that is one who decided to stay. Gradually lost my New York accent and started saying “youse all.” Told my clients that my people were F.F.V. and they shook their heads earnestly. “Don’t believe I ever heard of Heifetz.” “Just kidding, ma’am,” I replied. “ We’re from North Carolina.”
The Dead Mule School of Southern Literature
Fiction

Davis Slater: Helping Daddy Win

Southern Legitimacy Statement: I was born and raised between the Mississippi and the Ozarks, where Missouri eats into Arkansas, you can walk to Tennessee, and you can wave at Kentucky, I'm now vegan, not for health or environmental reasons, but because I'm pretty sure I ran the entire South out of edible critters when I was a boy.
The Dead Mule School of Southern Literature
Essays

Jeanne Lupton: Candy

Southern Legitimacy Statement I live in the place of my yearning, Northern California, but I can't get Virginia out of miy mind, 250-year-old Hopewell Friends Meeting House on a hill with the Blue Ridge in view, homecoming picnics there with a hundred cousins, some aunts named Ms. Pigeon, all eating fried chicken, deviled eggs, potato salad, watermelon, chocolate cake, staying cool in the breeze, calling me Thee. Dear Grandma laughing, "Everybody's crazy but me and Thee, and sometimes I wonder about Thee."
The Dead Mule School of Southern Literature
Poetry

Tobi Cogswell: Two Poems

SLS - Tobi Cogswell began kindergarten in Dallas. Even though it was many years ago, she still remembers her first dog was a "Heinz 57" named Sam Finkelstein the Third Rifkin. She remembers a family outing to the zoo where a lion peed on her best friend Betsy who lived down the street, and eating chicken fried steak at the Surrey, in a shopping center where a Wil Wrights was freestanding in a corner of the parking lot. Today she has good friends in Texas, and is pleased to see at least one of them in an earlier issue of this journal.
The Dead Mule School of Southern Literature
Fiction

Phillip Thompson: Kenny’s Saturday Night Cake Walk

Southern Legitimacy Statement: I didn't have a "grandmother" or a "Nana." I had a Granny. She wore red lipstick, always carried a pistol, drove fast, smoked cigarettes, believed in the Good Lord, cooked with lard (in which everything was fried -- chicken, okra, corn, you name it), took all 10 grandkids fishing and was capable of slapping the taste out of your mouth if you sassed her (not that you ever would). She didn't say "sweet" tea because there's only one kind of tea in Mississippi (that's spelled M-I-crooked letter, crooked letter-I-crooked letter, crooked letter-I-humpback, humpback-I), and if you ask for "sweet tea," you're clearly a damn Yankee. Or a carpetbagger, take your pick. She had more grandkids than she had room, so we stayed outside a lot in the summer -- shirtless, shoeless, sweaty and loud and buying Co-Colas at Bubba Cox's store or playing in the bed of Granddaddy's dump truck. If we behaved, we could come in to cool off and listen to "Ode to Billie Joe" on the record player. She said things like "that boy's as crazy as a junebug" and "bless her heart." From the South? Hell, she was the South.