The Dead Mule School of Southern Literature
Fiction

“Our Nativity – 1970” by Dawn Wilson

Southern Legitimacy Statement: My sister used to experiment on me. At the age of twelve, she taught me how to do a Southern accent--and I got stuck. I couldn't get rid of it. The phone rang, back in the day when you couldn't get rid of telemarketers, so my sister started making me answer it with my fake Scarlett O'Hara oh be still mah beatin' heart accent--and she didn't stop laughing for three years.
The Dead Mule School of Southern Literature
Poetry

Suzannah Gilman: Three Poems

True, I was born in California and grew up in Florida, which is such a melting pot that it’s not really the south—not unless you’re in Clewiston or Macclenny or Bithlo or someplace like that-- but I'm still a southern girl. I say “Bless her heart” after I say something unflattering about someone (I won’t admit to gossip), and that’s about as southern as you can get. My legitimacy honorable mentions: I had a Mawmaw and Pawpaw, I used to say “anyways,” and I still say “yall.”
The Dead Mule School of Southern Literature
Blog

Online and On Time

I don’t know what that means but it sounds good — doesn’t it? On time. For a literary journal, “on time” could be anyone’s schedule. If the journal is affiliated with an academic funding source, on time probably correlates with...
The Dead Mule School of Southern Literature
Poetry

Michael Diebert: Three Poems

Southern Legitimacy Statement: My parents are native Californians who moved to Tennessee before I was born. I married a Pennsylvanian. I can’t abide sweet tea, sweet desserts, egg salad, or chitlins. I never developed much of an accent, apart from “y’all” (with an apostrophe). The fervor of Civil War re-enactors and NASCAR fans has always puzzled me. Nevertheless. Tennessee, Alabama, Kentucky, Georgia: I have lived here all my life, and I am as much Southern as I am anything else. The South, for me, is a James Agee summer night: lightning bugs in a jar, invisible chirping crickets, everything familiar and settled, the world at relative, temporary peace. But the South is also a state of mind, a sort of vigilance, a waiting—and a fecund, green place where the strangeness and play of poems is made possible.
The Dead Mule School of Southern Literature
Poetry

Michael Parker “message in a bottle”

Southern Legitimacy Statement: Raised and fed by a Southern lady from Chattanooga, who taught me good eating and good manners. When I die and go to heaven, I’m praying the heavenly banquet will include: Fried Livermush Pintos (with pork in them) Green beans (with pork in them) Collards (with pork in them) Corn bread (with pork cracklins in it) If there is no livermush or pigs in heaven, then–if I have my ‘druthers–I reckon I’ll have to stay right here in North Carolina.
The Dead Mule School of Southern Literature
Fiction

Zacc Dukowitz “Ernesto and the Mule”

Southern Legitimacy Statement* I have shot containers of propane with my grandfather's 12 gauge and yodeled with delight at the plume of flame that erupted into the night like a spume of blood from the skull of a Foreigner. I have walked often and barefeeted, and never been a stranger to hardship. I have thought of Andrew Jackson while alone in the darkness of my dead lover's room, and been comforted. *featured on the Dead Mule's Facebook page
The Dead Mule School of Southern Literature
Fiction

Brigette Steel:

SLS: A native of the Pacific Northwest, I lived in north Florida for eighteen months as a teenager. I was introduced to cornbread dressing, boiled peanuts, and beaches you can actually swim in.