April Winters “Radio Waves”
Southern Legitimacy Statement:
Grammy used to make the best rhubarb pie. Her meals were the type where every inch of the long table was covered with food: fried chicken, mashed potatoes, corn-on-the-cob, and vegetables from her garden, and dessert of rhubarb pie. Yum! She expressed her love for her family by making sure we all had full – I’m talking really full – tummies. She had a quick wit and what she called a “hillbilly” accent. She may not have been ‘book’ smart, but she sure was love smart.
Ted Harrison “Brotherly Love”
Southern Legitimacy Statement: When you are born of Scot-Irish and Welsh stock in Piedmont North Carolina you start with a perceived southern legitimacy, but perhaps when you grow older you want to prove it --
One of my grandfathers was a storekeeper and the other a farmer. The storekeeper died sometime before I started school. The grandfather who was a farmer gives me a sense of southern legitimacy—at least in my mind. He farmed with his son, my uncle Richard. Their homes were about a hundred yards apart, separated by a field that by turns yielded cotton, or corn or wheat.
In the mid-1950s, Uncle Richard decided it was time to install indoor plumbing in his home. Running water in the kitchen, a bathroom, the works. He approached my grandfather with the idea that while the work was being done Poppa’s pump could be electrified, pipes run into the house for the kitchen and a bathroom, too.
I don’t know how long the discussions took, but finally Poppa agreed. Agreed, to a point. When the work finished at my uncles home work began at Poppa’s. First the pump was electrified. No more pumping the handle up and down to fill a bucket to take into the house for use. Yes, when the modern work finished you could turn on a spigot, then fill your bucket of water courtesy an electric pump—then you could carry your bucket into the house for use.
Maybe not southern legitimacy for some, but it works* for me.
*Works for the Dead Mule, too.
Herbert Martin “Our Dearest Abandoned Sister” and 2 more poems
Southern Legitimacy Statement: I was born in Birmingham, Alabama and even though my family migrated in the forties looking for work, I remain a Southerner in manners and diplomacy. I am not sure but I think that this is a Southern Statement.
Niles Riddick “Dog War”
Southern Legitimacy Statement: I've lived in the South my whole life. I haven't wanted to. I've wanted to live in more exotic places like Paris or London or even in the United States, places like San Francisco or New York. But I don't want to move. I just fantasize about it. I grew up in Georgia, lived in Tennessee for 15 years, and then moved back to Georgia.
Paul Smith: Bye & Bye
I hereby certify I am a Yankee. Put down your guns. Having visited your website, I've come to the conclusion that once you figure out i'm not related to William Faulkner, you may still read what I have wrote written. By way of introduction, this is a preamble, a necessary and unfortunate assembly of words before The 'Southern Legitimacy Statement,' which is forthcoming.
'Southern Legitimacy Statement' by Paul Smith
Part 1 of the First Part 'I deplore the degradation of Gatlinburg, Tennessee into the tourist nightmare it has become because I remember when it was young and somewhat pure, and although I don't remember the actual event itself, I may have been conceived there, since mom and dad liked it and came there a lot (please don't snicker at any unintended double-meanings.
Part 2 of the First Part ' I know why there are so many Ogles in Gatlinburg. They are not descendants of James Oglethorpe. They are descendants of King Og, who was some kind of King in England. I realize Wikipedia says something else, but this was told to me by one of the Ogles, possibly Kates, who let me ride his horse.
Part 3 of the First Fart - 'I have been to Dollyville in Pigeon Forge and have eaten pancakes in one of the 26 'All You Can Eat' pancake houses between Gatlinburg & Pigeon Forge.'
Valerie MacEwan: Matthew Rose and “The Letters”
Recasting the throw-aways and detritus, the overheard and misspelled, the artist has fashioned a large expository drama that serves as fragmented window into our collective Zeitgeist. Sex, love, death, politics, aesthetics and the muddled semiotics of our age all find a place in this body of work and beckon the viewer to read, decipher and unravel. The pieces in The Letters resonate with an enigmatic poetic presence. The result is a significant body of work by an important American artist...
Poetry
Essays
