The Dead Mule School of Southern Literature
Fiction

Caren Rich “The Fruitcake”

Southern Legitimacy Statement I was born and raised in the South. Sweet tea runs through my veins. There are enough lights on my house during the Christmas season to signal planes. I make fruit cake and love the sweet sugary pillows that are divinity. My kids run year round barefoot and the dog doesn't wear a collar. I am southern and proud of it.
The Dead Mule School of Southern Literature
Fiction

Gregg Punger “The Candle Girl”

Southern Legitimacy Statement: I was born and raised by a true southern woman from Mars Bluff, South Carolina in Winston-Salem, North Carolina, where I spent most of my youth making forts and mud slides in the creek behind my house and playing football. Through her stories about her life growing up on a farm and my time spent at my ancestral home, a two story white farm house with columns and a large porch surrounded by woods and acres of fields, I learned to be a southerner.
The Dead Mule School of Southern Literature
Fiction

Steve Gowin “Ringneck”

SLS I am a Yankee... Ok you'd find out sooner or later. But most of my writer friends are Southern writers. My affinities are for Faulkner and O'Connor. Well if that doesn't sink me, I hope you enjoy my story.
The Dead Mule School of Southern Literature
Fiction

Marah Blair “My Grandfather’s House”

Southern Legitimacy Statement I was born in the “sticks” of Central Virginia. Silos across the street, bare feet in the freshly tilled garden patch, and mud fights in the rain. I am a very big fan of sweet tea, biscuits with real salted butter, and good old fashion bon fires. The south is very dear to my heart.
The Dead Mule School of Southern Literature
Blog

December 2012 Poetry

Photography redux in this issue... Little did we know, back then, that most of these iconic Southern buildings would be long gone by 2012. Hurricanes and floods destroyed every building in the images featured in the poetry section. If damaged by Bertha, the death of the buildings was assured post-Dennis and Floyd.
The Dead Mule School of Southern Literature
Poetry

Ray Sharp: Wind Fierce as Love

Southern Legitimacy Statement: I left the South many years ago as a young man, yet still on long winter nights I ask myself why. The Northern Lights are beautiful with their cold and alien glow, but I surely miss sticky summers in the Ohio River Valley, honeysuckle vine on the back fence, and the soft lilting way that Laura is pronounced Laahrah. **
The Dead Mule School of Southern Literature
Poetry

L. A. Lawton: Four Poems

I've lived more than half my 74 years in the South, mostly by choice. I regard "y'all" as a perfectly legitimate second-person plural. I make super crabcakes and key lime pie, but I don't eat grits out of loyalty to my mama's Hoosier corn pudding. I have a photo of me with Eudora Welty, dated one of her cousins in New York in the sixties, and wish I'd ever encountered Flannery O'Connor; I knew a man who had. I've been kissed on the cheek by two Southern bishops, one for a glass of wine and one for finding him a C.S. Lewis poem with the word "longanimity" in. One of my great-great-grandmothers was a Virginian who eloped with an abolitionist lawyer and another one pioneered Midwest from Carolina, where I plan to leave my dust. **
The Dead Mule School of Southern Literature
Poetry

Gretchen A. Bateman: Four Poems

Southern Legitimacy Statement: Born in Connecticut, raised in Maryland (yes, it's below the Mason Dixon Line!) and now living in Tennessee, I have come to realize that I am a little bit country and a little bit rock and roll. I've been writing since I was a child and had my first poem published at the age of 8. I enjoy the outdoors, sports, and trying to emulate the Tennessee twang. **
The Dead Mule School of Southern Literature
Poetry

Will H. Blackwell, Jr.: Four Poems

Southern Legitimacy Statement: I am from Mississippi (Jackson area), and attended school in Mississippi, Alabama, and Texas—“postdocing” in Missouri. After a brief sojourn in Ohio (a mere 26 years!), teaching at Miami University (They were kind enough to offer me a job), I returned to the South—stepwise (following my illustrious, biologist wife, Martha Powell)—first to northwest central-Virginia (Harrisonburg, James Madison University), and then to, you guessed it, “Sweet Home …….” (where I am adjunct in Biological Sciences, U of AL). So, who says, “You can’t go home again”?—or, almost, anyway. I have been back in Alabama for the last 15 years (and a bit); so, if you are counting, you will realize, I ain’t no “spring-chicken!” But I have tried to stay active: in research—on microscopic, freshwater Fungi (Hey, they deserve study too!), especially forms occurring in the southeastern U.S.—and in writing (on the occasional occasion of “inspiration”). The narrative-poem style is a good vehicle to express certain experiences in my life—or flights-of-fancy pertaining thereto. I hope you enjoy what I have written. **
The Dead Mule School of Southern Literature
Poetry

Betty O’Hearn: Three Poems

Southern Legitimacy Statement: I was born and raised in the City of Brotherly Love. Over thirty five years ago I followed a path that took me from Alabama, South Carolina, Virginia, Texas, Florida and finally to rest in North Carolina. As I have lived below the Mason-Dixon more than half my life, I am part of the South. However, I must stipulate that the South will not rise again. One last thing... grits and barbecue will never touch my lips. Poetry Editor’s Note: The Dead Mule wishes to congratulate Betty O’Hearn on the occasion of her first published poems. **
The Dead Mule School of Southern Literature
Poetry

Karen Chinetti: Three Poems

Southern Legitimacy Statement: I am a resident of the Commonwealth of Kentucky, daughter of a native North Carolinian, and graduate of Northern Kentucky University. I'm southern by choice and birth. My poetry has a little hint of southern influence, too. Poetry Editor’s Note: The Dead Mule wishes to congratulate Karen Chinetti on the occasion of her first published poems. **