Margo Roby Poems
Southern Legitimacy Statement:
1] My ancestors helped settle Charleston, South Carolina. The cemeteries are filled with them.
2] Several of them are named Zorababel. That's a first name. If you were male, why then, it became Zorobabel.
3] During the Civil War my family fought for the South [one half of us -- the other half are damned Yankees].
4] My husband's wedding present to me was a pistol. Forty years later, I still have it and we are still married.
5] My husband and I appear to share a few ancestors. I am much more excited about this than he.
6] We live on Peachtree Road, Atlanta, Georgia. Do I even need the first five?
Thom Brucie: Three Poems
Southern Legitimacy Statement: I was once instructed on the proper division of north from south: All citizens who live below Highway #10 are Southerners; all citizens who live above Highway #10 are Yankees; all citizens who live above the Mason-Dixon line are damn Yankees. I once lived in New York.
Always Clap for the Band by Clint Tyra
Southern Legitimacy Statement: I was born in Alabama, grew up in Georgia, went to school in Mississippi, lived in Nashville and do my fishing in South Carolina. I've spent a lot of time on the grounds Faulkner's Rowan Oak and on the highway around Larry Browns farm. I currently live a street over from Carson McCullers' house. I don't know how much more legitimate I can be than that.
Seven Prodigious Poems by R. Flowers Rivera
R. Flowers Rivera is native of Mississippi, she completed a Ph.D. at Binghamton University and an M.A. at Hollins University. Her short story, “The Iron Bars,” won the 1999 Peregrine Prize, and she has been a finalist for the May Swenson Award, the Journal Intro Award, the Naomi Long Madgett, the Gary Snyder Memorial Award, the Paumanok Award, as well as garnering nominations for Pushcarts. Her poetry collection Troubling Accents is forthcoming from Xavier Review Press. View more of her work by visiting http://www.promethea.com
Molly Felder “Custody” flash fiction
Southern Legitimacy Statement: The family’s all tore up: PawPaw and Mimi because Pepe was such a teeniny dog and just flattened under the wheel of that teenager’s Camaro—never stood a chance!—and me because I’m on the outs with Aunt Jean.
I was only joking about her potato salad.
“Aunt Jean and her potato salad” was truly all I said.
I may have also laughed.
And now she won’t say boo to me, as if I meant that she went around offering it to people, whether they wanted it or not!
So you can see that if you accept my story, it will be cause for celebration. PawPaw and Mimi would smile again, and Aunt Jean would congratulate me, although I’ll have to take her out for some broasted chicken, Texas toast, and hand-packed ice cream first.
Jessica Wimmer “Sweet Baby Lamb”
SLS: It was probably around age seven in the middle of a winter night that I realized how southern I was while dangling my legs in Granny's outhouse.
Susan Miller “Last Job” flash fiction
Southern Legitimacy Statement: Born many years ago in the 'Who'sthare' state, this writer seeks to expand and share stories with anyone who enjoys a midwestern flavor. I enjoy trying flash, shorts, and vignettes, or (postcard stories) if you will. The name 'Dead Mule' grabbed my attention as I've been called a j.a. many times over the span of 50 some years. I like walking in the nettles and then wading in the crik.
April Winters “Radio Waves”
Southern Legitimacy Statement:
Grammy used to make the best rhubarb pie. Her meals were the type where every inch of the long table was covered with food: fried chicken, mashed potatoes, corn-on-the-cob, and vegetables from her garden, and dessert of rhubarb pie. Yum! She expressed her love for her family by making sure we all had full – I’m talking really full – tummies. She had a quick wit and what she called a “hillbilly” accent. She may not have been ‘book’ smart, but she sure was love smart.
Ted Harrison “Brotherly Love”
Southern Legitimacy Statement: When you are born of Scot-Irish and Welsh stock in Piedmont North Carolina you start with a perceived southern legitimacy, but perhaps when you grow older you want to prove it --
One of my grandfathers was a storekeeper and the other a farmer. The storekeeper died sometime before I started school. The grandfather who was a farmer gives me a sense of southern legitimacy—at least in my mind. He farmed with his son, my uncle Richard. Their homes were about a hundred yards apart, separated by a field that by turns yielded cotton, or corn or wheat.
In the mid-1950s, Uncle Richard decided it was time to install indoor plumbing in his home. Running water in the kitchen, a bathroom, the works. He approached my grandfather with the idea that while the work was being done Poppa’s pump could be electrified, pipes run into the house for the kitchen and a bathroom, too.
I don’t know how long the discussions took, but finally Poppa agreed. Agreed, to a point. When the work finished at my uncles home work began at Poppa’s. First the pump was electrified. No more pumping the handle up and down to fill a bucket to take into the house for use. Yes, when the modern work finished you could turn on a spigot, then fill your bucket of water courtesy an electric pump—then you could carry your bucket into the house for use.
Maybe not southern legitimacy for some, but it works* for me.
*Works for the Dead Mule, too.
Herbert Martin “Our Dearest Abandoned Sister” and 2 more poems
Southern Legitimacy Statement: I was born in Birmingham, Alabama and even though my family migrated in the forties looking for work, I remain a Southerner in manners and diplomacy. I am not sure but I think that this is a Southern Statement.
Niles Riddick “Dog War”
Southern Legitimacy Statement: I've lived in the South my whole life. I haven't wanted to. I've wanted to live in more exotic places like Paris or London or even in the United States, places like San Francisco or New York. But I don't want to move. I just fantasize about it. I grew up in Georgia, lived in Tennessee for 15 years, and then moved back to Georgia.
Paul Smith: Bye & Bye
I hereby certify I am a Yankee. Put down your guns. Having visited your website, I've come to the conclusion that once you figure out i'm not related to William Faulkner, you may still read what I have wrote written. By way of introduction, this is a preamble, a necessary and unfortunate assembly of words before The 'Southern Legitimacy Statement,' which is forthcoming.
'Southern Legitimacy Statement' by Paul Smith
Part 1 of the First Part 'I deplore the degradation of Gatlinburg, Tennessee into the tourist nightmare it has become because I remember when it was young and somewhat pure, and although I don't remember the actual event itself, I may have been conceived there, since mom and dad liked it and came there a lot (please don't snicker at any unintended double-meanings.
Part 2 of the First Part ' I know why there are so many Ogles in Gatlinburg. They are not descendants of James Oglethorpe. They are descendants of King Og, who was some kind of King in England. I realize Wikipedia says something else, but this was told to me by one of the Ogles, possibly Kates, who let me ride his horse.
Part 3 of the First Fart - 'I have been to Dollyville in Pigeon Forge and have eaten pancakes in one of the 26 'All You Can Eat' pancake houses between Gatlinburg & Pigeon Forge.'
Valerie MacEwan: Matthew Rose and “The Letters”
Recasting the throw-aways and detritus, the overheard and misspelled, the artist has fashioned a large expository drama that serves as fragmented window into our collective Zeitgeist. Sex, love, death, politics, aesthetics and the muddled semiotics of our age all find a place in this body of work and beckon the viewer to read, decipher and unravel. The pieces in The Letters resonate with an enigmatic poetic presence. The result is a significant body of work by an important American artist...
Tim Bullard: Saving the Depot
Tim Bullard, 1999 ... reporting at its finest. We're sorry that we can no longer find the original photos accompanying the piece.
John Riley: How It Went Bad With Horsepen
Southern Legitimacy Statement: When my son was just a little guy, four or five, and studying the violin he loved to take a break from classical music and go with his pap-paw to an old barn down in Pittsboro that had been converted into a little music hall. When it was their turn the two of them would climb onto the stage and the women in the audience would say, “My, my” and “Look how cute he is.” My boy would be wearing his little white cowboy hat and jeans and boots and when his pap-paw gave him the signal he'd dip his head and start going to town on “Foggy Mountain Breakdown” or “Old Joe Clark” or “The Orange Blossom Special,” maybe even a Bob Wills song or two, while the house band accompanied them on dobro and rhythm guitar and bango. My son's parents would be in the audience beaming like bug lights as their boy and his pap-paw fiddled away. I'm sure this happens in other parts of the country, but I'm not sure there is anyplace else where playing the old-time music weaves warmly through generation to generation the way it does here in North Carolina, where the music was born and the best little fiddlers in the world are bred.