The Dead Mule School of Southern Literature
Fiction

Just Like His Daddy by C. Ciccozzi

Southern Legitimacy Statement My parents were born in the south. Colloquialisms are so ingrained in me that when I repeat them, people in the western states look at me like I’ve got a caterpillar perched on my nose. I don’t think I’ve pronounced the ‘g’ on any word ending with ‘ing’ since I learned how to talk. I say pillas instead of pillows and windas … well, you get the idea. My brother taught me how to catch crawdads in a can when we were kids. He also shot me in the face with his BB gun. Ouch!
The Dead Mule School of Southern Literature
Fiction

The Recidivist by John Branscum

Southern Legitimacy Statement: My father was possessed by a trailer. My sister gave into the influence of a creek full of evil spirits housed in wrecked cars. I myself am unduly vulnerable to the influence of heavy metal and hip-hop. I wear my shirt open two buttons – not on purpose but because this is simply the kind of animal I am. I partially grew up in a trailer in Big Flat Arkansas, without electricity, that smelled kind of funny because of the dead salamanders. I almost fell over in the outhouse while simultaneously balancing on the one plank that wasn’t rotten and taking a crap. I had few friends as a teenager in Kentucky. And the ones I did have were mostly dogs and trees. I’ve killed a lot of things and felt bad about it, but can’t figure out any other way to live.
The Dead Mule School of Southern Literature
Fiction

The Preacherman by Hannah Spicer

Southern Legitimacy Statement: I proudly claim Southwest Virginia as my home. I grew up in the heart of the Appalachian Mountains with three brothers. My childhood was spent roaming through the woods, choppin' off roosters' heads (Mom said we couldn't have more than one rooster at a time), and going to school. When I was fourteen, my daddy taught me how to drive a tractor. When I was fifteen, my little brother taught me how to shoot a gun (only because them darn coyotes kept snatchin' the baby cows - I would not have touched a gun otherwise). As I grew older, people seemed to think that these things were something to be ashamed 'bout. I tried to write things that didn't quite sound like me, but were about city people. I don't know a darn thing about city people, except what I read in books. Therefore, my writing wasn't that great. Then, I started writing about what I know - country people, and my writing sounded pretty good. I say, leave the city writin' for those that live in the city. Me? I am goin' to write about the country and my beloved Appalachian Mountains.
The Dead Mule School of Southern Literature
Fiction

Herself, Alone by John Riley

Southern Legitimacy Statement In August there was always the river. On dog days, school beckoning, the joy of uninterrupted time between the morning and evening chores long absorbed by a sun that had flattened your expectations of what summer would bring, I seemed to always find myself at the river. Some people are drawn to fire, others to water, moving water that is, even if the movement is nearly imperceptible, and in my South the summer heat warned me away from fire. It was the river inching through the thick woods that lured me to come, preferably alone, to come and clear away a spot to sit among the dead leaves and rocks and branches, to come and immerse myself in the stream of thoughts and dreams and ambitions that, yet unbruised by the world, raced inside the visitor sitting above the patient river.
The Dead Mule School of Southern Literature
Blog

April Issue

Fabulous, isn’t it? We’re not through yet. It’s April Fool’s Day but we’re not kidding about the quality of this month’s poetry… it is as good as it gets! From Tim Peeler to Carter Monroe to Cathy Smith Bowers and...
The Dead Mule School of Southern Literature
Poetry

Cathy Smith Bowers: The Poet Laureate of North Carolina: Six Poems

Poetry Editor’s Note: Each April the Dead Mule publishes a Poet Laureate of a Southern State at the top its list of fine poets. This year’s honor goes to Cathy Smith Bowers, Poet Laureate of North Carolina. Born in South Carolina and Southern to the core, Cathy is the sixth in the Dead Mule’s April Poet Laureate Series. So help me welcome Cathy to our Big Ole Southern Family.
The Dead Mule School of Southern Literature
Poetry

Prairie Markussen: “The Women of Scottsboro”: A Chapbook

Southern Legitimacy Statement: I once had a migraine in Savannah. I saw the cherry blossoms blooming in Macon. I ate shrimp and grits in Charleston. I survived a family vacation and a freak storm in Ft. Lauderdale. I did not "Eat at Joe's" in Nashville, but I saw the sign. I drank wine and fell in love with a bearded man I'll never see again in Makanda, Illinois, and while that might not be the official south, it seemed pretty darn close.
The Dead Mule School of Southern Literature
Poetry

Jenny Billings Beaver: “With or Without”: A Chapbook

Southern Legitimacy Statement: Hey Ya’ll. My name is Jenny Billings Beaver (used to be Jenny Elizabeth Billings – SO OLD FASHIONED) and I have lived in North Carolina my entire life. I grew up on a dairy farm – in fact, I lived so far in the country that we didn’t get cable, pizza deliveries or any-kind-of-traffic until 2002. I didn’t have a bike, I rode around our 30 acres on a golf cart – that was long after we moved out of our marigold yellow mobile home with white shutters and grassy green carpet that sat under a weeping willow (it died when Hurricane Hugo came through in 1989). I drank only sweet tea the first 18 years of my life, still call my grandfather “Poppa”, love me some grits and sausage (with a lil’ mustard, of course!) and for god sake – married a man with the last name “Beaver” on Halloween. Bless my heart!
The Dead Mule School of Southern Literature
Poetry

Carter Monroe: Four Poems

Southern Legitimacy Statement: I’ve lived in NC all my life. When I travel North, I often find I’m the only person in the room without an accent. I believe in seeking forgiveness for my sins, but I can’t make myself ashamed of committing adultery. I understand why Southerners never move North to retire. I refuse to eat anything I can’t pronounce. If it weren’t for vampires, I’d have no use for garlic. I know what a “potteridge” is and know that to correctly pronounce it you have to slur at least one syllable. I believe in being polite to your face. If you have to ask for chili on a hot dog, somebody ain’t from around here. I deal with my high blood pressure by getting no exercise. I only drink cheap domestic beer and I never drink just one. I’m only grammatically correct when I choose to be.
The Dead Mule School of Southern Literature
Poetry

Pris Campbell: Six Poems

Southern Legitimacy Statement: I was raised on cornbread, fried chicken and okra in a small town in South Carolina. My great grandfather fought in the Civil War. I have a photo of him with his mule. That mule is now dead.
The Dead Mule School of Southern Literature
Poetry

Tim Peeler: Four Poems

Southern Legitimacy Statement: I come from cotton farmers on the one side and subsistence farmers on the other. I grew up in a parsonage that was located on a hill above a road that forked three ways; each fork led to a separate washboard red dirt road. During the summer they poured oil on the roads. The smell of those roads is embedded in my memory.
The Dead Mule School of Southern Literature
Poetry

Marty Silverthorne: Four Poems

Southern Legitimacy Statement: Everybody’s dead and visiting the graveyard just don’t feel the guilt like a good plate of almost black collards, a streak of fat, a streak of lean, two cathead biscuits to sop up grandma’s molasses. It’s about being here in the barren field with a winter wind kicks up the dust and spirits run length wise down the empty roads. I don’t know if northerners are haunted by the dead or not, I’ve never been one. I’ve been here all my life, one thirty mile loop and you can visit every grave that’s inked in the back of this ole Bible passed down to my daddy and he stole it and passed it to me and I don’t know much about southern except that’s all I have ever known.
The Dead Mule School of Southern Literature
Poetry

Felicia Mitchell: Four Poems

Southern Legitimacy Statement: How many people can claim to have had a pet roach as a child? I can. For all kinds of reasons, that confession has to legitimize my southern roots. What else can it say? The roach lived in a mayonnaise jar in my closet for a little while, and then it died. I became a poet at an early age. Eventually my mother let bring a kitten home from next door.
The Dead Mule School of Southern Literature
Poetry

Norvin Dickerson: Four Poems

Southern Legitimacy Statement: I was conceived on a houseboat on the Ashley River in Charleston, South Carolina and was born in Monroe, North Carolina first year of the Baby Boomers. I got my undergraduate degree from the University of North Carolina in Chapel Hill. My kin, Irish immigrants to North and South Carolina, fought for the Confederacy. I drive miles out of my way to eat Lexington Barbeque, and belong to a band of pirates and sailors, Brothers of the Coast, located in Savannah, Georgia. I live in the town of Black Mountain in western North Carolina.