Author: Posted by Dead Mules

Fiction

What Happened to My Brother by Daniel Leach

Dan Leach’s short fiction has been published in various literary journals and magazines, including The Greensboro Review, Deep South Magazine, and The New Madrid Review. A native of South Carolina, he graduated from Clemson University in 2008, and taught high-school in Charleston until 2014 when he relocated to Nebraska. Floods and Fires, his debut short-story collection, will be published by University of North Georgia Press in 2016
Essays

Bill Prince: The Boy, The Buck Rabbit and the Beagles

Southern Legitimacy Statement: I am an eighth generation direct descendant of a 1740 immigrant who came to America as an indentured servant to the Trustees of the colony of Georgia. I was born in Valdosta, GA and have lived in either Georgia or South Carolina all my life. Reared and educated in South Carolina, I have been residing back in my native Georgia for over 50 years now. I am legitimately southern in my origin and life and lifestyle.
The Dead Mule School of Southern Literature
Essays

James K. Williamson: The Night I Saw Dwayne

We ask questions in Darlington County, S.C. and those questions are to make sure we're not related, me and you. Porch nights in Oxford but only a few minutes over Barry Hannah's grave. It's hotter than hell and far. Mortician and poodle meet ups in Birmingham. Delirius drives from Little Rock to Asheville, you name it. I'm looking for a sawdust floor in New York City and someone to buy me a drink. I have carpal tunnel so you might have to lift the glass. Hey, I'm just glad to be here.
The Dead Mule School of Southern Literature
Fiction

Jennifer Green “Keeping a Dead Mule Down”

Southern Legacy Statement – Half Mexican, Half Redneck. I use that to describe my heritage. Upon hearing that: my mother's family gets upset and offended, my father's side laughs and hollers. I'll let you decide which is half is which half. From ages three to eighteen, one year of my life was spent in Southern California, the next in North Georgia. The odd-numbered years were in smoggy cities, people giving me odd looks for ordering sugar in my tea, and mocking me when I say “ya'll.” I was fired from my first California job because customers insisted I insulted them by saying “sir” and “ma'am.” When I got older: I chose fresh air in the woods, people that became your new best friend when you share the counter at Waffle House, and smiles when I reply to statements with “sho'nuff.” Now, I'm the boss and all my employees know full well to treat all customers with respect and address them with “sir” and “ma'am.”
The Dead Mule School of Southern Literature
Poetry

Suzan Phillips : 2010 Poetry

Suzan Phillips Southern Legitimacy Statement Ma-Ma would take Bo and me digging for sassafras roots in the woods next door. She would boil the roots and then we would drink the hot "tea" 'cause Aint Essie said it would keep ya reglar."She stopped a horse from bleedin', ya know? Tom Waters brought his horse over, pourin' blood outa his neck. Aint Essie went 'round the back of the house and when she come back, that horse 'ad stopped bleedin'.” We dug potatoes, too. She had on her lipstick and floral print dress. As soon as we came out of the garden, she put her heels back on - black patent leather - and put the potatoes on to boil. "We havin' old timey pataters and lemon marengue pie." She watched wrestling while she ironed the sheets. Then she took me over to Aint Correll's. We were going to get my wart taken off. I was five. We drove round a dirt driveway up to a little house and an old man came out. Flowers everywhere and trees and a bench swing hanging on a rusty old swing set. They talked a minute and then he gently asked me to go sit with him on the swing. He held a leaf in his hand, twirling it round between his finger and thumb. "Suzan, this hyere's a peach leaf. Come off 'at peach tree righttare." Silence. "D'you b'lieve I can take off that wort from your hand, thare?" "Yessir" "Well, hold out chur hand and lemme just rub this leaf hyere on yer wort, like this. See. Now, when you wake up tomorra, yur wort's gonna be gone. D'you b'lieve me, Suzan?" "Yessir." My wort was gone the next day. I think my southern legitimacy is evident!
The Dead Mule School of Southern Literature
Fiction

Lemoncharles by southern writer John Calvin Hughes

Southern Legitimacy Statement: I’m John Calvin Hughes, son of a son of a preacher chased out of Mississippi for plucking the flock. I’m a southern boy who moved south and found himself surrounded by Yankees. I’m in Florida. There’s not a hill in sight and the restaurants that specialize in “Real Southern Cooking” put sugar in the cornbread. My own son told me the cat pushing on his chest was "making bagels"!
The Dead Mule School of Southern Literature
Poetry

Three Poems by Thomas Alan Holmes

Where I’m From (My Southern Legitimacy Statement) after George Ella Lyons I am from a back porch, from Coca-Cola and accidental parallel fingertip slits from my curiosity of discovering our first air conditioner’s condenser coil. I am from the closetless, socketless, south-facing bedroom. I am from the chinaberry and the redbud, from the mimosa, the looper caterpillars dangling in fine, translucent strands from its branches. I am from first Sunday in May and first Sunday in June and close reading of scripture, from Byrum and Welton and Portis. I am from working by the job and not the hour and from finding the next thing to do, From “cry me a handful so I can feed the chickens” and “washed in the blood.” I am from the belief that “born again” is a change of character and a political liability. I'm from Cullman County and Morgan County, almond pound cake and corn meal dressing. From Uncle William’s fishing too close to the locks when the TVA decided to release water from the hydroelectric dam, Aunt Kate’s refusing to try the home-canned pickles until only one jar was left and her crying about it, my parents’ eloping across the state line to Iuka, Mississippi, on Easter Sunday, April 1, 1956. I am from the middle kitchen cabinet drawer, below the medications and above the dishtowels, in an envelope box of snapshots with edges worn as hammer handles, smooth as seasoned skillets, frayed as pockets.
The Dead Mule School of Southern Literature
Fiction

Al Lyons “Tilt-O-Whirl”

Southern Legitimacy Statement: I never tire of telling my Northern friends stories of my childhood, growing up near Tampa, FL. During season, our old man would wake us up early to pick grits from the grove of grits trees up the road. We would gather the necessary equipment: a burlap grits sack, magnifying glass, tweezers and a tall ladder. The biggest, ripest grits always seemed to be at the top of the tree. We would carefully select the grits, one by one, gently plucking them off the branch with our tweezers, then deposit them into the burlap sack on our back. As a child, I could only fill one sack before noon. I was always amazed by my father, who could adeptly climb up and down the ladder, quickly and methodically picking the finest grits, like an artisan at work. He would fill 3 or 4 bags, before we sat down to our packed lunch of scratch biscuits and strawberry jam. As the day grew late, we would make our way back to the house, dragging the full grits sacks behind us. Tired, but excitedly anticipating Mama cooking us up a big plate of fish and grits for supper. Afterward, the old man would take out his fiddle and sit on the porch to play. Sometimes Uncle Jim would come over and join us for dinner and bring his mandolin. We would drift off to sleep with the sounds of fiddle and mandolin coming in through the window."
The Dead Mule School of Southern Literature
Fiction

Joe Seale “Bona Fide”

SLS: Deep South is different than South even though I can't prove it. Ever since I moved north from Alabama to Tennessee I've felt like a Yankee. Writing Southern is about writing legacy, and that ain't easy. We pronounce things like they sound, and I can't hear a banjo without tapping my foot. Sweet tea tastes different when Mama mixes it up, but yall already knew all that.
The Dead Mule School of Southern Literature
Fiction

Mark McKee and Julie Sumner “Bucket List”

Southern Legitimacy Statement: How yall doin? I'm Mark McKee, born n bred in Dyersburg, TN. Short jaunt from Memphis, home of the Delta blues, Elvis, what have ye. This here story is, like all good southern yarns, based on a truth, of sorts. After relatin it to my Kansan buddy, Julie Sumner, she come along and had a right fine ending for it. Here we ere.
The Dead Mule School of Southern Literature
Fiction

Scott Rooker “Food Lion”

Southern Legitimacy Statement. I was born in Sherman, Texas in the summer of 1979. I moved to Raleigh, North Carolina in 1981. Everyone in Raleigh is from upstate New York. I have lived in Raleigh, Wilmington, and Chapel Hill. I love Raleigh.
The Dead Mule School of Southern Literature
Fiction

Will H. Blackwell, Jr. “Literary Brushcut”

Southern Legitimacy Statement: I was born and raised in Mississippi—I suppose I could stop my justification here! But continuing, nonetheless, I eventually migrated to Ohio, to teach (obviously, they paid me to do this). After many years, I made my way back south, finally to Alabama, where I have watched my outstanding wife, Martha Powell, work very hard—first as Chair, now “just as” Professor, Biological Sciences, University of Alabama. In addition to my attempts at creative writing (poetry and, sometimes, a short-story), I still manage a few publications in biology (on southeastern, water fungi)—As I have been wont to say, my academic publications’ backlog was as big as anybody’s! It is my hope that inclusion of limited but appropriate quotation (from a far, far greater writer than I) in this present story will, perhaps uniquely, enhance its effect. In any event, I hope you enjoy what I have written.